‘When Ernest and our friend Duke MacMullen met my train at Shoshone, Idaho, for the drive to Ketchum, we did not stop at the bar opposite the station as we usually did because Ernest was anxious to get on the road. I asked why the hurry.
“The feds.”
“What?”
“They tailed us all the way. Ask Duke.”
“Well … there was a car back of us out of Hailey.”
“Why are F.B.I. agents pursuing you?” I asked.
“It’s the worst hell. The goddamnedest hell. They’ve bugged everything. That’s why we’re using Duke’s car. Mine’s bugged. Everything’s bugged. Can’t use the phone. Mail intercepted.”
We rode for miles in silence. As we turned into Ketchum, Ernest said quietly: “Duke, pull over. Cut your lights.” He peered across the street at a bank. Two men were working inside. “What is it?” I asked.
“Auditors. The F.B.I.’s got them going over my account.”
“But how do you know?”
“Why would two auditors be working in the middle of the night? Of course it’s my account.”
All his friends were worried: he had changed; he was depressed; he wouldn’t hunt; he looked bad.
Ernest, Mary and I went to dinner the night before I left. Halfway through the meal Ernest said we had to leave immediately. Mary asked what was wrong.
“Those two F.B.I. agents at the bar, that’s what’s wrong.”
The next day Mary had a private talk with me. She was terribly distraught. Ernest spent hours every day with the manuscript of his Paris sketches — published as “A Moveable Feast” after his death — trying to write but unable to do more than turn its pages. He often spoke of destroying himself and would sometimes stand at the gun rack, holding one of the guns, staring out the window.’
Bron: The New York Times
